| Issue | Title | |
| Vol 1 (2011): The Importance of Kitsch | A Fetish for Fugitive Aesthetics: Cinematic Kitsch and Visual Pleasure in The Tales of Hoffmann | Abstract PDF |
| David Scott Diffrient | ||
| Vol 2 (2011): On Violence | A Remarkable Violence: The Mechanical and Textual Apparatus of Kafka's "In The Penal Colony" | Abstract PDF |
| Matthew J. Snyder | ||
| Vol 2 (2011): On Violence | A Very Necessary Violence: Reading Anthony Burgess's A Clockwork Orange | Abstract PDF |
| Grant Hamilton | ||
| Vol 2 (2011): On Violence | Contextualizing Violence: A Hermeneutical Perspective | Abstract PDF |
| Prakash Kona | ||
| Vol 2 (2011): On Violence | Dying to Belong: Violence and Nostalgia in Paradise and The Plot Against America | Abstract PDF |
| Heidi Stoffer | ||
| Vol 2 (2011): On Violence | Judge Holden and the Violence of Erasure: Blood Meridian's Historical Skepticism | Abstract PDF |
| Shawn Mark Jasinski | ||
| Vol 1 (2011): The Importance of Kitsch | Kitsch as a Conceptual Strategy in the Work of Liliana Porter | Abstract PDF |
| Abigail Winograd | ||
| Vol 1 (2011): The Importance of Kitsch | Le Meilleur des mondes: Kitsch and Humanity in Michel Houellebecq’s La Possibilité d’une île | Abstract PDF |
| Neli Koleva | ||
| Vol 2 (2011): On Violence | Our Primeval Penchant for Violence: The Modern Stage Success of Shakespeare’s Titus Andronicus | Abstract PDF |
| Lisa K. Miller | ||
| Vol 1 (2011): The Importance of Kitsch | Pour un Baudelaire contemporain | Abstract PDF |
| Nicholas Hauck | ||
| Vol 2 (2011): On Violence | Yeats, Stoker, and "English" Modernity: Reading Dracula as a Response to the Irish Revival and the Threat of "Irrational" Violence | Abstract PDF |
| Paul Sanders | ||
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