Table of Contents
Front Matter
| Front Matter | |
| i-x |
Introduction
| Introduction | |
| Larry O’Farrell | xi-xiii |
Part I Goal 1: Ensure that arts education is accessible as a fundamental and sustainable component of a high quality ...
| The Capacity of Assessment in Arts Education | |
| Christopher DeLuca | 3-12 |
| Conceptualising Visual Learning as an Embodied and Performative Pedagogy for all Classrooms | |
| Kathryn Grushka | 13-23 |
| "La Fortuna, por siempre y para siempre”, a cross-generational and participatory documentary | |
| Ana Mampaso | 25-34 |
| Off the beaten track: a reflection on intention and unpredictability in arts education research | |
| Kathleen Gallagher | 35-43 |
Part II Goal 2: Assure that arts education activities and programmes are of a high quality in conception and delivery
| Issues of Global and Local Quality in Arts Education | |
| Anne Bamford | 47-66 |
| Road Blocks, Road Works and Continuing Explorations of the Terrain: An examination of drama in education in New Zealand in relation to the UNESCO Road Map | |
| Janinka Greenwood | 67-79 |
| Seeking Harmony: Teachers' perspectives on learning to teach in and through the arts | |
| B. W. Andrews | 81-98 |
| What is the Student Participation at the Time of Artists’ Presentations in Primary Schools? | |
| Myriam Lemonchois | 99-114 |
Part III Goal 3: Apply the principles and practices of arts education to contribute to resolving the social and cultural
| Global and Local: Rethinking citizenship in art and visual culture education | |
| Elizabeth Garber | 117-133 |
| Keeping the Kids in School: What the drama class tells us | |
| Debra McLauchlan | 135-154 |
| Musically Creolizing Subjects: Re(envisioning) world music education | |
| Juliet Hess | 155-166 |
Contributors
| Contributors | |
| 167-170 |
Encounters on Education
Encounters / Encuentros / Rencontres